Industrial colour invention: a comparative analysis from the perspective of the colourist designer
DOI:
https://doi.org/10.23738/CCSJ.110107Keywords:
colourist designer, paint and coatings industry, colour invention, colour communication tools, comparative analysisAbstract
In this article a comparative study of two different colour invention processes in the paint and coatings industry from the perspective of the colourist designer is presented.
Our research is based on a thorough analysis of colour communication tools and on empirical data from interviews with actors of two leading companies from Latin America and Europe.
In both processes we find two distinct sets of expertise. In the first one we identified, the primary driving expertise is from the field of engineering and marketing. In the second one, we find the expertise of the colourist designer, from the field of applied arts, supported by marketing considerations in an iterative process.
In our work we study how these different approaches impact the resulting colour palettes, that is, the product ranges reaching the market.
Our results point out an ongoing evolution in the invention of colours, strongly linked to the introduction of the artistic sensitivity of the colourist designer, in an industrial context.
References
Berlin, B., Kay, P. (1999) Basic Colour Terms, Their Universality and Evolution. Stanford: CSLI publications.
Caumon, C., Houssard, F., Lecerf, G., Ling, L., Ollier, X. (2016) Recherche action par la création artistique et design. Saint-Denis: Connaissances et Savoirs, pp. 21.
Copans, J., (2011) L’enquête ethnologique de terrain: L’enquête et ses méthodes. 3e édition, Paris : Armand Colin
Ladnytska, O., Tsurkan, M., (2015) Linguistic Aspects of Colour in Ian McEwan’s ‘Atonement’. Science and Education a New Dimension. Philology, III(16), Issue: 70
Lecerf, G., (2014) Le coloris comme expérience poétique. Paris: L’Harmattan, pp. 71-72.
Liu, M., (1997) Fondements et pratiques de la Recherche-Action, Paris : éditions l’Harmattan
Madden, T., Hewett, K., Roth, M., (2000) Managing Images in Different Cultures : A Cross-National Study of Color Meanings and Preferences. Journal of International Marketing : Vol 8, No 4, pp. 90 -107
Passeron, R., (1989) Pour une philosophie de la création. Paris : Klincksieck, pp. 21, 54.
Passeron, R., (1996) La naissance d’Icare. Éléments de poïétique générale. Cachan (Val de Marne) : ae2cg éditions
Pogacar, V., (2012) Periodic colour model. Journal of the International Colour Association : 9, 5-19
Downloads
Published
Issue
Section
License
The "Cultura e Scienza del Colore - Color Culture and Science" journal is registered at the Court of Milan at n.233 of 24.06.2014.
The journal is an open access journal, free for readers and authors and has joined ROAD, the Directory of Open Access scholarly Resources, since 2014. Articles published in the “Cultura e Scienza del Colore - Color Culture and Science" journal are open access articles, distributed under the terms and conditions of the Creative Commons Attribution License (CC BY). The copyright is retained by the author(s).