Emerging colours: new trends, demands and challenges in contemporary urban environments
DOI:
https://doi.org/10.23738/CCSJ.120104Keywords:
Saturated Colour, Environmental Colour Design, Contemporary Urban EnvironmentAbstract
The concept of colour in urban settings has traditionally been associated with architectural colour palettes or urban colour planning. However, in contrast to the generally whitish or grey architectural environment, the use of saturated colours presented in dramatic ways has emerged as a trend in urban settings since the beginning of the 21st century. This study examines this globally occurring ‘colourful’ phenomenon and argues that emerging colours have distinct features, varying from design intentions to design impacts. Focusing on projects in urban public space, this paper positions the phenomenon in the contemporary urban context and attempts to explain the conditions and driving forces behind it. By exploring the use of saturated colours in a context, we argue that colour has been engaged as an active design element to respond to the demands and challenges of contemporary urban environments. Furthermore, new demands can be observed that accelerate the spread of the use of emerging colours globally. We suggest that it is time for a critical review and evaluation of the phenomenon as part of understanding contemporary urban and landscape design culture. Such an understanding will allow us to have updated references for environmental colour design in contemporary urban contexts, and to use colour effectively.
References
Batchelor, D. (2000) Chromophobia. London: Reaktion Books Ltd.
Bell, S. (2019) Elements of visual design in the landscape. 3rd ed. London: Routledge.
Boeri, C. (2017) ‘Color loci placemaking: the urban color between needs of continuity and renewal’. Color Research and Application, 42(5), pp. 641–649. doi.org/10.1002/col.22128.
Borsotti, M. (2019) ‘Contemporary architecture and colour: final definitions for mapping intent’. Color Culture and Science Journal 11(1): 7–18. doi.org/10.23738/CCSJ.110101.
Braham, W. W. (2002) Modern color, modern architecture: Amédée Ozenfant and the genealogy of color in modern architecture. Aldershot: Ashgate.
Brino, G. (2009) ‘Italian city colour plans (1978–2007)’. Colour for architecture today. London: Taylor and Francis, pp. 30–35.
Caivano, J. L. (2006) ‘Research on color in architecture and environmental design: Brief history, current developments, and possible future’. Color Research and Application 31(4), pp. 353–363. doi.org/10.1002/col.20224.
Cormier, C. (2017–2019)‘18 Shades of Gay’, Montréal (Québec), Canada’. Claudecormier.com. Available at: https://www.claudecormier.com/en/projet/18-shades-of-gay/ (Accessed: 20 August 2019).
Doherty, G. (2011) New geographies 3: Urbanisms of color. Cambridge, Mass.: Harvard Graduate School of Design.
Flecha, A., Jönsson, C. and Dornan, D. (2017) ‘Visiting murals and graffiti art in Brazil’. Murals and Tourism: Heritage, Politics and Identity, Skinner, J. and Jolliffe, L. (eds.) London: Routledge, pp. 180–196.
Gehl, J. and Gemzøe, L. (2001) New city spaces. Copenhagen: The Danish Architectural Press.
Guaralda, M. (2009) ‘Urban identity and colour: the case of Tirana, Albania’. Spectrum e-news, 2009 (December), pp. 13–14.
Hitti, N. (2018) ‘Amsterdam council removes "I amsterdam" sign after it becomes selfie spot’. Dezeen. Available at: https://www.dezeen.com/2018/12/05/i-amsterdam-sign-removed- council-mass- tourism/?fbclid=IwAR1RNTpl2KspHD9duivyV0nQ3qVSeomnU89t73jIt1 DSl00T19t7t07QYRA (Accessed: 26 September 2019).
Jacobs, J. (1961) The death and life of great American cities. New York, NY; Harmondsworth: Random House.
JERDE (2019) 1984 Olympics Los Angeles, California. Available at: https://www.jerde.com/places/detail/1984-olympics (Accessed 25 September 2019).
Lenclos, J. P. (2009) ‘The globalisation of colour’. Colour for architecture today. London: Taylor and Francis, pp. 84–87.
Lenclos, J. P. and Lenclos, D. (2004) Colors of the world: the geography of color. New York, NY: W. W. Norton.
Mahnke, F. H. (1996) Color, environment, and human response: An interdisciplinary understanding of color and its use as a beneficial element in the design of the architectural environment. New York, NY: Van Nostrand Reinhold.
McLachlan, F., Neser, A., Sibillano, L., Wenger-Di Gabriele, M., Wettstein, S., and Whyte, I. (2015) Colour strategies in architecture, Basel; Zurich: Schwabe Verlag in association with Haus der Farbe.
Mclachlan, F. (2013) Architectural colour in the professional palette. New York: Taylor and Francis.
McMorrough, J. (2007) ‘Blowing the lid off paint: the architectural coverage of Supergraphics’. Hunch (Rethinking Representation), 11, pp. 64–67.
Nemcsics, A. (1993) Colour dynamics. New York: E. Horwood.
Nofre, J., Martins, J., Vaz, D., Fina, R., Sequera, J. and Vale, P. (2018) ‘The “Pink Street” in Cais do Sodré: urban change and liminal governance in a nightlife district of Lisbon’. Urban Research and Practice, pp. 1–19.
North (2017) ‘A serif rises in the south’. [online] Underconsideration.com. Available at: https://www.underconsideration.com/brandnew/archives/new_logo_and _identity_for_southbank_centre_by_north.php (Accessed: 27 September 2019).
Porter T. and Mikellides, B. (eds.) (2009) Colour for architecture today. New York: Taylor and Francis.
Spillmann, W. (2009) ‘Unity in diversity at Kirchsteigfeld, Potsdam’. Colour for architecture today. London: Taylor and Francis, pp. 36–38.
Swirnoff, L. (2000) The color of cities: an international perspective. New York: McGraw-Hill.
Downloads
Published
Issue
Section
License
The "Cultura e Scienza del Colore - Color Culture and Science" journal is registered at the Court of Milan at n.233 of 24.06.2014.
The journal is an open access journal, free for readers and authors and has joined ROAD, the Directory of Open Access scholarly Resources, since 2014. Articles published in the “Cultura e Scienza del Colore - Color Culture and Science" journal are open access articles, distributed under the terms and conditions of the Creative Commons Attribution License (CC BY). The copyright is retained by the author(s).